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As indie filmmaking continues to rise, DePaul's School of Cinematic Arts empowers student filmmakers to bring their vision to life. By Eda Yu This story was created in paid partnership with DePaul ...

Join us for a day of panel discussions and networking about where the industry is going and where you can fit within it. IndieWire is set to explore that question by launching its inaugural Future of ...

Non-fiction production requires risks that streamers are unwilling to take on themselves, while the commodification of truth presents risks to the independent soul of documentary filmmaking. Remember ...

Want smarter insights in your inbox? Sign up for our weekly newsletters to get only what matters to enterprise AI, data, and security leaders. Subscribe Now The first motion picture in human history ...

Cutting-edge technology and filmmaking have always gone hand in hand, with the industry often at the forefront of adopting new ways to bring stories to life on the big screen. From the integration of ...

There has never been a better time to start creating movies and animations using the powerful AI filmmaking tools now available. Artificial intelligence allows anyone with a story to tell to bring it ...

Join our daily and weekly newsletters for the latest updates and exclusive content on industry-leading AI coverage. Learn More The astounding success of the 2016 film Deadpool isn’t a secret to ...

Opinions expressed by Entrepreneur contributors are their own. Filmmakers need to have multiple skills at their disposal. In fact, filmmakers should be seen not only as creatives, but as entrepreneurs ...

School alumni collaborate with the program and offer real-world insights into the filmmaking industry. The DaVinci Center at Nyack High School includes equipment for video production and filmmaking.

As streaming transforms the once-sleepy nonfiction space into a money-making juggernaut of hit series, cool parties and $30 million single-title sales, THR talks to Alex Gibney, Ken Burns and other ...

Matthew is a features writer for Collider currently based in Manchester. In his spare time he likes to read, write, obsess over Batman and complain about his Wordle score. The 1960s was a time of ...