Marta, the film's director, faces her fears and digs into the realm of her estranged sister Nastia, a Greek-Catholic nun, to re-evaluate the world they both were brought up in.

I gaze upon the crucifix at Holy Mass, contemplating the image of Christ’s broken body, poured out for the Church, as he is truly present — his body, blood, soul and divinity — on the altar. A sense ...

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